France (1852 -1925 ) - Painter   Related Paintings of Marcel Rieder :. | Still life floral, all kinds of reality flowers oil painting 48 | The Salon of 1779 | Young Woman in Bed | Martyrdom of St Thiemo | Portrait of Victor Guye |
Related Artists:
Arthur Loureiro
Australian, 1853-1932,Portuguese painter. He was a naturalist painter. His early training was at the Academia de Belas-Artes, Oporto, and in 1876 he went to Rome where he became a pupil of Francisco Pradilla Ortiz. In Italy he devoted himself to landscape painting. He exhibited in Paris at the Exposition Universelle (1878) and in the Sociedade Promotora de Belas-Artes in Lisbon (1880). In 1879 he was given a scholarship to go to Paris, where he stayed from 1880 to 1883.
Ernest Hebert
1817-1908 French Ernest Hebert Gallery He was born in Grenoble and died in La Tronche. His painting Mal aria was exhibited in the Salon of 1850-1851, and now hangs in the Musee d Orsay, Paris. Painted in a Romantic style, it depicts a family of Italian peasants escaping an epidemic by raft, a scene inspired by events Hebert had witnessed while in Italy. His student Paul Trouillebert was an important artist of the Barbizon School. The artist house is preserved in the Musee Hebert in the VIe arrondissement of Paris. There is another museum near Grenoble.
Legros, Alphonse
French-born British Painter and Sculptor, 1837-1911 British etcher, painter, sculptor and teacher of French birth. He is said to have been apprenticed at the age of 11 to a sign-painter, at which time he may also have attended classes at the Ecole des Beaux-Arts in Dijon. He was employed as assistant on a decorative scheme in Lyon Cathedral before moving in 1851 to Paris, where he worked initially for the theatre decorator C. A. Cambon (1802-75). He soon became a pupil of Horace Lecoq de Boisbaudran, whose methodical instruction and liberality in fostering individual talent proved of lasting benefit to Legros. In 1855 he enrolled at the Ecole des Beaux-Arts, Paris, attending irregularly until 1857. During this period Legros had a taste for early Netherlandish art and for French Romanticism, which was later superseded by his admiration for Claude, Poussin and Michelangelo.